filmografie:

“In any case, when Jean Seberg is on the screen, which is all the time, you can’t look at anything else. Her every movement is graceful, each glance is precise … In the blue shorts slit on the side, in pirate pantaloons, in a skirt, an evening gown, a bathing suit, a man’s shirt with the shirttails out, or tied in front over her stomach, or wearing a corsage and behaving herself (but not for long), Jean Seberg, short blond hair on a pharaoh’s skull, wide-open blue eyes with a glint of boyish malice, carries the entire weight of this film on her tiny shoulders. It is Otto Preminger’s love poem to her.” 
— excerpt from François Truffaut’s review of Bonjour Tristesse, 1958